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National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
Differences in flow experience between dance improvisation and dance choreography
 Macháčková, Michaela ; Poláčková Šolcová, Iva (advisor) ; Potyszová, Kateřina (referee)
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Veracity in interpretation
 Rampáčková, Katarína ; ELIÁŠOVÁ, Bohumíra (advisor) ; DUKIČ, Ivana (referee)
ABSTRACT I explore in this work three planes of the theme: VERACITY IN INTERPRETATION. In the first plane I look at the interpretation of the actor to dance interpretation. I'm talking about improvisation and creative work of performer. I deal with the phenomenon of internal images. In the second level I observe the work of choreographers Pina Bausch and William Forsythe. In connection with Pina Bausch I think about the role of choreographer in post-modern era. Then I present a new dance program of computer Synchronous Objects created by dance ensemble The Forsythe Company and Ohio State Uiversity. Finally, my work is dedicated to my own experiences and subjective point of view at the work of the choreographer. Not only in the terms of the relationship: artist - choreographer, but also in terms of choreographer as a developing individual.
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MOVEMENT AND VOICE
 Wimmerová, Hana ; ELIÁŠOVÁ, Bohumíra (advisor) ; DŘÍMALOVÁ, Lenka (referee)
The subject of my master thesis is searching for overlaps of both dancing and drama where the means of artistic expression in terms of the performer?s integrity play the key role. The aim is to find and define the crucial points in the art evolution which have been further developed by artists in both drama and dancing. The aim is also to point out the overlapping of genres which either adopted or integrated features of other artistic fields. This master thesis is a follow-up of my bachelor thesis with the main subject being ?movement and voice?. The aim is to pick up the threads of my bachelor thesis dealing with the integration of voice in the contemporary dance and its detailed specification. The source of information are not only the post-modern as well as contemporary artists, but also looking back in the history of modern dance evolution. Vital part of my thesis is a description of my pedagogical experience at the Janáček Conservatory in Ostrava which summarizes my knowledge acquired during the lessons of Modern dance and Dancing Education.
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